The British Library has been offered the opportunity to purchase the Mostyn Psalter-Hours. The manuscript is a late thirteenth-century Psalter-Hours produced in London in the ambit of Edward I’s court (r. 1272-1307). As a Psalter that can be securely located to London, the national heritage value of the manuscript is high.
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The original 16-folio manuscript of Handel’s vocal trio, Se tu non lasci Amore, HWV 201a, scored for two sopranos, bass and continuo, and written in July 1708 shortly after Handel’s arrival in Naples. This manuscript is the only autograph version of this ‘Terzetto’.
Charles William Vane-Stewart, 3rd Marquess of Londonderry, (1778-1854) was a British soldier and politician, and half-brother to Lord Castlereagh. He had a highly distinguished career. Initially commissioned into the British Army as a Lieutenant at the age of 16, he saw service in Flanders in 1794, and was Lieutenant Colonel of the 5th Royal Irish Dragoons during the Irish Rebellion of 1798.
Dating from around 1576, this roll lists and displays the coats of arms of 11owners of Ludlow castle, 9 Lord Presidents of the Council of Wales and the Marches and all 22 members of the Council appointed in 1570. The roll appears to have been produced as a record of coats of arms placed in the chapel in Ludlow Castle in 1574.
The application process to apply for funding from the Friends of National Libraries was very straightforward and the decision made within an exceptionally short timeframe.
This collection of over 500 titles represents an outstanding survey of known and lesser known medical authors, practices and treatments from the late 17th century to the early decades of the 20th century – 300 years when the home was the site of most medical treatments and household members the practitioners. The Geffrye Museum explores the history of home, but the unremitting concern of householders with their health and their voracious collecting of books and manuals with which to doctor themselves and their families at home is a topic that, until now, hasn’t been represented in the museum’s collections.
This outstanding collection adds a great amount of primary evidential material concerning an under-studied and under-represented area of domestic life to the museum’s library; greatly improving its standing as a primary research hub for the history of home, informing our knowledge of home and allowing it to re-interpret its other collections through the lens of health.
This large archive of several hundred letters, notecards, etc., circa 1898-1948, largely comprising large bundles of autograph letters to Sydney Cockerell, or Wilfred Scawen Blunt. Their appeal to the Fitzwilliam Museum was obvious. We house the largest single archive of works by and associated with Wilfrid Scawen Blunt (1840-1922) in the world (including Blunt's original diaries, autograph drafts of his major poems and other published works, and much other completely unpublished manuscript material), and it is one of our most frequently consulted collections. Moreover, Sydney Cockerell (1867-1962) was the longest-serving and arguably most influential Director of the Fitzwilliam Museum (1908-37), as well as secretary, adviser and executor to Wilfred Scawen Blunt. With the generous and remarkably speedy assistance of the Friends of the National Libraries, we were able to bid and acquire the archive.
Written by a single hand in a typically Italian Rotunda script of preternatural regularity, the elegance of which is enhanced by still-wide margins, this late 15th century Book of Hours (Use of Rome) is a handsome and engaging volume. Though robbed of the incipits for Matins and the Hours of the Cross, it preserves large decorated initials plus elaborate border ornament at all the other major textual divisions, plus countless smaller decorated initials throughout. An invaluable addition to our holdings, within three days of arriving in Durham it had already featured in a display class, highlighting its importance here as an excellent example of Italian script, decoration and book production, and as a fascinating complement to our other devotional books and horae, almost all of which are from north of the Alps.
Sir Gilbert Clayton was a distinguished soldier and diplomat, serving in North Africa and the Middle East. He excelled as the director of military intelligence in Cairo during the First World War, particularly in managing those military operations in the Hijāz which brought T. E. Lawrence to world attention. That he kept Lawrence’s high regard says a great deal: ‘Clayton made the perfect leader for such a band of wild men as we were. He was calm, detached, clear-sighted, of unconscious courage in assuming responsibility. He gave an open run to his subordinates. His own views were general, like his knowledge; and he worked by influence rather than by loud direction. It was not easy to descry his influence. He was like water, or permeating oil, creeping silently and insistently through everything. It was not possible to say where Clayton was and was not, and how much really belonged to him. He never visibly led; but his ideas were abreast of those who did: he impressed men by his sobriety, and by a certain quiet and stately moderation of hope. In practical matters he was loose, irregular, untidy, a man with whom independent men could bear’ (Seven Pillars of Wisdom, 1936, p. 57). After the war Clayton served as High Commissioner in Palestine and brokered a series of border agreements across the region, but his career was cut short when he died suddenly, having just taken up the post of High Commissioner in Iraq.
Laurens van der Post was one of the most important and influential literary figures of the 20th century. The collection is perhaps unique, in that van der Post was directly or indirectly involved in many of the key literary and political developments of the period. The papers reflect his long, extraordinary and occasionally controversial life. The papers catalogued so far include correspondence relating to his involvement in the literary circles of the 1920s and 1930s, most notably a series of surprisingly revealing letters from the reactionary South African poet and occasional bull-fighter Roy Campbell, whose attacks on the Bloomsbury set and their effeminate nature are as entertaining as they are informative.