This fine charter is a confirmation of a grant of nine bovates of land in Eakring, Nottinghamshire by Matthew, Abbott of Rufford, to Osbert de Capella and Emma his wife. A seal of Osbert depicting his device (a wheel?) is attached to the charter.
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Thomas Cecil Howitt (1889 - 1968) was one of the leading provincial architects of his day.
The 4,000 boxes containing the Broadlands Archives, dating from the 16-20th centuries, are one of the UK’s most important family and estate collections.
A printed map of the River Tyne from Heddon on the Wall to the sea in two sections, evidently produced in connection with a disputed proposal to erect a ballast shore at Jarrow Slake. No other copy of the 1675 section appears to be known.
Two bound volumes containing about 200 autograph letters exchanged between Sir Joseph Hooker (1817-1911), Director of the Royal Botanic Gardens, Kew, and Dr Asa Gray (1810-88), a leading American botanist, together with 33 letters from Hooker to his wife, Hyacinth, 35 letters from Hooker to vario
A volume containing seven very rare catalogues for art sales which took place in the Low Countries between 1767 and 1777, as well as extracts in manuscript for three further sales.
These unpublished letters were part of the private collection of the late Paula Peyraud (b. 1947), a reclusive librarian from Chappaqua, New York, who assembled an outstanding collection of literary materials relating to the Bluestockings.
The mostly typed letters, written to an admirer in response to his questions about Rebecca, are a good source of information on the characters and topography of Daphne du Maurier's most famous novel.
Sir John Vanbrugh (1664-1726) was Clarenceux King of Arms, an office he claimed to have acquired 'in jest' when he resigned it in 1725. The Grant, signed by Anstis and Vanbrugh, is calligraphically written and finely illuminated.
Paul Nash (1889-1946) spent more time and care on his illustrations of Sir Thomas Browne's famous work, first published in 1658, than on any other of his book projects. The present copy, no.