Depicts the manor of Anstey in northern Hertfordshire belonging to William Robinson Lytton. It records field names and shows buildings in primitive perspective. Thomas Browne went on to become Garter King of Arms in 1774
Search FNL grants since 1931
An almost complete run (February 1645 - October 1649) lacking only numbers 75 and 81. Its editor, John Dillingham was also a tailor, supplying uniforms to the parliamentary army
Estate account books, a journal containing a detailed inventory of William Trumbulls good and debts and three large workmens day books. Collection also contains the diary of Robert Lee of Binfield 1737 - 39 and three memoranda books of the Earl of Stirling 1717 - 1738
This book is the result of Dugdales ambitious programme to record as much as possible of medieval church architecture and decoration as he could before the iconoclasts of the Puritan movement could do their worst.
The only surviving example of Purcell's harpsichord music written in his own hand. Includes five previously unknown pieces by Purcell and four previously unrecorded arrangements for keyboard of his theatre music and unknown movements from his keyboard suites.
Letters written between July and October 1812 when Radcliffe, as magistrate, was active in restoring public order after the machine breaking and violent robberies of the Luddite protestors in the Huddersfield area
MS letter from Coleridge to Colonel Moore about Mary Robinson, the Maid of Buttermere, who had been bigamously married to James Hatfield in 1802. The annotated copy of Remorse is probably the only copy to remain in Britain.
Repton invented a system of showing his clients before and after effects on their parkland landscapes by means of watercolour pictures with added paper flaps or fliers which could be turned back to reveal the improvements.
The Mostyn Owens were an Anglo Welsh family with estates on the borders of the two countries. The early papers reveal much about the survival of Welsh place and personal names in north west Shropshire.
Lavishly decorated with historiated intials, including one of the donor kneeling in prayer before the Virgin. Illustrated as frontispiece to AR