Search FNL grants since 1931

First edition, hitherto unlisted in ESTC. Contains 60 copper plate engravings incorporating 180 designs. Several have been identified as being by leading London cabinet makers such as Ince and Mayhew, Robert Manwaring and Thomas Chippendale.

A collection of some 140 documents, title deeds, wills and a rental dated 1584. Most relate to the Harvey and Hanchett families. Grant from the Esme Fairbairn Charitable Trust. Illustrated at p. 38 of AR

Contains fair copies of the despatches received and sent by Gambara whilst in London, a total of 694 folio pages. It covers a period of turmoil in Europe, dominated by war between Charles V and Francis I of France, the spread of Lutheranism and the Sack of Rome.

An autograph volume describing travels on the Upper Nile, three years residence in Ethiopia and return via Khartoum. Highly detailed on local cusoms and cultures: Parkyns married an Ethiopian during his travels.

130 pages written in pencil throughout, containing material for the poem Sponsa Dei, with prose aphorisms, notes to himself and snatches of verse

18 boxes of Manuscript letters, journals and associated papers, relating to the life and work of the Rev. John Clarke and his circle of Baptist pastors and missionaries.

375 drawings, representing the bulk of Preedys output. He was the only 19th century architect of the gothic revival to be a competent designer and manufacturer of stained glass and he was used by William Burges and William Butterfield in their building projects. ILlustrated at p.46 of AR

Record of Slinns business, including a scrapbook half bound in green leather containing letters of thanks and admiration for his work from the Sitwells and a catalogue of the exhibition of his bindings in the Central Library, Sheffield, 1946. Grant from the Esme Fairbairn Charitable Trust

Rocque was a Frenchman who worked in England from 1709 and produced some of the most outstanding estate maps of the 18th century. These examples are of a very high quality; the High Ercall map includes a panorama of the village in the cartouche. Grant from the Esme Fairbairn Charitable Trust

This previously unknown humorous drawing is one of the earliest depictions of barrow-digging known, and is unusual in concentrating on the diggers rather than the landscape. The clergyman with the pickaxe in the trench is probably a self portrait.