On 20 June 2018 a significant collection of personal correspondence belonging to John Wilton Haines (1875 – 1960) was auctioned at Bonhams in London. Known as ‘Jack’ to his associates, he was a Gloucester-based solicitor, poet and botanist.
Search FNL grants since 1931
Idylls of the King is one of the most famous 19th-century collaborations between a poet and a photographer and a rare and invaluable source for the study of Tennyson's poetry and of Victorian culture.
Julia Margaret Cameron (1815-1879) is one of the most celebrated women in the history of photography, known for her innovative work when photography was still in its infancy. Her photographs were rule-breaking: purposely out of focus, and often including smudges, scratches and other traces of the artist's process.
In 2007 Shropshire Archives acquired, with support from the V&A Purchase grant fund and the Friends of the National Libraries, as well as local fundraising, volume two of David Parkes’ Sketches in Shropshire, which covered places alphabetically from Ludlow to Wem.
In 2018 Shropshire Archives had the opportunity to purchase privately volume one of this work, which includes over 160 original pencil, ink, and watercolour wash sketches of locations across the county listed from A-L. This was a fantastic opportunity to complete the acquisition of this important work by David Parkes, and something which the service had never expected to happen.
The Visitor Book of the Royal Bath Hotel, Bournemouth, which contains a treasure trove of signatures from the Victorian world including Oscar Wilde and his lover Lord Alfred Douglas. Merton and Annie Russell-Cotes, who founded the Museum, bought the Bath Hotel in 1876 and developed it as the Royal Bath Hotel to be one of the finest hotels in Britain, if not Europe, at the end of the 19th century. The rich and famous of the Victorian world beat a path to the hotel and the small and exclusive seaside resort of Bournemouth.
The Whitehouse Ruskin Collection. Bought with the aid of a grant of £35,000 from Friends of the National Libraries.
The Royal Scottish Academy of Art & Architecture (RSA) has acquired this rare and significant Scottish anatomical volume with the support of the Friends of the National Libraries.
“Tracts Coal & Nursery” is a collection of papers and 18th century nursery catalogues.
The volume includes a collection of catalogues from plant nurseries in Scotland issued between 1765 and 1784 bound with two pamphlets from 1777 and 1784 on the qualities of coal tar and a copy of the 1765 Act for encouraging the Cultivation, and for the better Preservation of Trees, Roots, Plants, and Shrubs. Of the 16 nursery catalogues in the volume, 12 were not previously available in libraries in either Scotland or the rest of the UK and three were variations on copies in the existing RBGE collection.
Since 2017 an extensive and important collection of over 2,000 books and other items, including some letters, by and about the early 20th-century literary reviewer, writer and poet Edward Thomas, has been held at Petersfield Museum's Edward Thomas Study Centre, on loan from the Edward Thomas Fellowship. The opportunity to add this letter, with its local significance is a significant step forward for the Museum and the Edward Thomas Fellowship as both seek to further establish the Study Centre as an important resource for Thomas scholars and the wider public.
Hughes signed and dated this copy in September 1971, but retained it until 1980, when it became a Christmas present for his son and fishing companion Nicholas. It is the most intimate testimony to the passions they shared. As well as manuscript copies of its opening two printed poems, ‘An Otter’ and ‘Pike’, both from Lupercal (1960), it contains seven more fishing poems, none yet published.
This small archive relating to the literary estate of D.H. Lawrence (1885-1930). The acquisition now forms part of our DH Lawrence Collection, which was designated in 2008 by the former Museums, Libraries and Archives Council as being of national and international importance. It adds to our knowledge of the fraught relationship between Frieda and Lawrence’s siblings and the dispute over the rightful ownership of his manuscripts and the payment of royalties.